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In this article, I'd like to explain why wool inspires me so much in my day-to-day work, and share with you the values I uphold. Wool, and more specifically sheep's wool, has been used for thousands of years in the manufacture of textiles. Easily accessible, it is naturally renewable because it always grows back after being cut from the sheep's back. Made up of protein fibres (keratin), wool products can easily be biodegraded at the end of their life cycle by micro-organisms [1]. Its physico-chemical properties make this fibre very interesting and unique. For example, its scale-like structure increases its surface area in contact with the air while slowing down its circulation, over a wide range of temperatures. So it doesn't just keep you warm, it keeps you cool. It can also absorb up to 35% of its weight in moisture, which is then released as water vapour into the air [2]. So we stay dry too! Despite their many advantages, cheaper synthetics have gradually taken over from wool and other natural materials in the global textile market, and are now making their way into our wardrobes. And yes, most of our clothes are now made of plastics! Synthetic materials, produced from hydrocarbons, are also dyed with chemical dyes derived from petroleum, which have direct and harmful consequences for the human health of workers and consumers, and of course for the environment, which is greatly impacted. According to ADEME, dyeing alone is responsible for 20% of the world's water pollution. Wool, on the other hand, has become a noble material, used to make mid-range and top-of-the-range products. So what do we do about it? Fortunately, it's not all doom and gloom, as some voices are speaking out in favour of change, in terms of both practices and attitudes. Many players have decided to (re)turn to natural raw materials that respect the environment, animals and people. Wool is one of them. But we have a long way to go, because the wool industry in France and more widely in Europe has seen a drastic decline in activity over the last few decades. So we need to rebuild, to recreate the link between the land, the animals, the breeders and the new players in the industry. We also had to recreate the link with the machines and the technical know-how that had been lost or forgotten. All this is taking shape again now, and it's an incredible source of energy. Together, I'm convinced we can do a lot, and there's so much to do! All these ideas about the environment, biodiversity and our way of life are fundamental to me and guide me on a daily basis. They were passed on to me by my parents and grandparents, and by the place where I grew up, the Pyrenees. An area that is still partly unspoilt, but that needs to be protected. That's where the Lourdaise ewe comes in. A breed of ewe that is emblematic of the Pyrenees, yet still endangered to this day. So when my father undertook to help save it over thirty years ago, he may not have imagined that I would be continuing the fight in my own way: by adding value to its wool. This material, which is harvested every year (because it is essential for the health of the animals), generally earns nothing for the breeders, who are faced with competition from foreign wools. As a result, the wool accumulates and the breeders, no longer knowing what to do with it, even come to describe it as waste. Faced with this situation, I wanted to get involved in the wool industry to promote this noble material and give it back its rightful place. Wool itself fascinates me. Its feel, its structure, its shape, its colour. Its many properties too, which demonstrate the power of this natural fibre. And all the things you can do with it. As I said earlier, wool has been used for thousands of years to make clothes. And back then, it took so much time to spin yarn on a spinning wheel or spindle that the rare garments that were created were precious and darned as much as possible when needed. Nowadays, spinning mills and industrial spinning mills can produce yarn in larger quantities and more quickly than by hand. All the wool needs is to be processed. So we have yarn available to us, ready to be knitted, woven, crocheted... It's no less important to reuse and repair as much as possible. My positioning in this sector was clear from the outset: I wanted to offer a natural, traceable wool yarn that reflects its terroir and is produced in a way that respects animals, people and the environment as far as possible. By natural wool, I mean: -wool that has not been carbonised (a chemical process requiring sulfuric acid to destroy plant debris), but simply subjected to the mechanical action of machines to remove as much of this debris as possible (not forgetting the little hands at the sorting stage) -wool that has not been treated 'superwash', a process that involves applying a resin to the fibre to prevent it from felting when the garment is washed (at the same time reducing its insulating properties) -wool that has not been dyed with synthetic dyes, but rather with vegetable dyes, by hand and without the use of synthetic alum mordants. In this way, the wool retains all its natural properties and the resulting yarn is all the more authentic. When I was looking for partners to take care of the various stages of processing, I wanted to turn to local, artisanal companies that have all these skills. There aren't many of them, but they do exist. And thanks to the Filature de Niaux in Ariège and the Myrobolan workshop in Creuse, the result is there. I'm so proud and happy. Now we just have to keep going - it's only the beginning! On the other hand, I wanted to offer hand-spun wool creations. For me, working with this fibre by hand from A to Z is essential. It allows you to connect with and understand the material, to acquire skills and techniques, and simply to take the time. What's more, a handmade creation tells a story, reflects the personality of its creator and reflects values... Values that I can share and pass on during creative workshops, which are also rich in human encounters. I hope that these few words have aroused your curiosity and that you have found yourself somewhere in all this. I look forward to hearing from you, so don't hesitate to drop me a line! Références [1] The wool handbook, Morphology, Structure, Properties, Processing, and Applications The Textile Institute Book Series, 2024, Pages 401-440 [2] J. Chybik, Natural Building Materials, 978-80-247-2532-1, Grada Publishing, a.s., Prague, Czech Republic (2009)

I'm delighted to introduce a brand new collection of handwoven bracelets, the Matières collection . This collection is the fruit of a reflection on the choice of new natural materials , as well as on the finishing touches to achieve even greater simplicity . The Matières collection consists of bracelets woven from natural wool from the Pyrenees , blended with French linen , a plant-based material with a unique feel and incredible strength. A collection with multiple sources of inspiration Linen is a natural plant material grown mainly in north-west France. Like wool, it has a number of virtues, including lightness, great strength and high absorbency. As a result, it is increasingly used in the textile sector, and is a material I prefer for my summer wardrobe because of its greater absorbency than cotton. What's more, growing linen doesn't require pesticides or a lot of water, but it's a delicate process because it's very weather-dependent (the amount of sunshine and water has to be kept to a minimum). It feels very different to wool, which is why I thought it would be interesting to combine them to create natural variations in texture. Its solidity also makes it the yarn of choice for long-lasting bracelets that can be worn every day. The combination of these two materials of plant and animal origin gives these bracelets a special character, and allowed me to experiment with new weaving techniques. The choice of bright colours contrasts with the colour of the wool, which I chose to keep natural (undyed yarns). Each bracelet is unique, meaning that it is not the result of a model that I reproduce. I create each piece according to my imagination, which is generally inspired by the material, the colours and the desire to experiment with textures, as well as by my current feelings. Linen and wool I used linen as the warp thread. It comes from the Fonty spinning mill in France. It's 100% French linen, fine, soft and very strong. For the weft yarns, I combined this same linen with wool from lourdaises and tarasconnaises ewes, collected in the Val d'Azun (High Pyrenees, France) and sorted by hand by myself before being sent to the Filature de Niaux in Ariège to be washed. I then take the wool back to my workshop in Belgium, where I live, and spin it into yarn. The wool is natural and has undergone no chemical treatment. The colours ecru and dark brown are the natural colours of the sheep, the grey being obtained by mixing these two colours in various proportions. Sizes Each bracelet is finished in linen with a macramé sliding knot that allows for a wider range of sizes. Each minimum and maximum length is indicated in the bracelet description. I can also adapt to your needs. If the proposed sizes don't suit you, we can discuss creating a made-to-measure bracelet together. Don't hesitate to contact me by email at knittyandwoolly@gmail.com or via the contact form, I'll be happy to advise you. Packaging your bracelet Each bracelet is first protected by a sheet of silk paper, which is recyclable and contains no chlorine or acid. The bracelet is then packaged in a European-made box, made from FSC-certified natural cardboard and water-based glue. These boxes contain no foam, which I don't find useful here. The boxes are therefore recyclable, but the main idea is that you can reuse them to store your bracelet or other items of jewellery. Finally, each box is slipped into an organic cotton pouch that you can also reuse to carry all sorts of little things. I really like these pouches, which can easily be slipped into a toiletry bag, for example. I also use them to store my knitting accessories! I hope you'll enjoy these new models of woven wool and linen bracelets, and that they'll inspire you to find out more about these two extraordinary materials. I hope to see you soon, Fanny Fondatrice de Knitty and Woolly Choosing a woven bracelet created by Knitty and Woolly means : -Adopting a little piece of the Pyrenees, wherever you are -Giving yourself or a loved one a unique piece of jewellery, handmade with passion, that has meaning and tells a story -Treat yourself or others while understanding the manufacturing process and the raw materials used in the product. -Support the craft industry and my commitment to the wool industry Care instructions for your bracelet As with all jewellery, it is best to keep it away from water. What should I do if I get a stain? Wool is an exceptional natural fibre with many properties (see the Properties of wool page on my website). One of these is its ability to be self-cleaning and very dirt-repellent. It doesn't easily retain stains like other materials. If for any reason a stain gets on your bracelet, you can follow these advice: -Soak the bracelet in cold or even lukewarm water (but not hot, and possibly with a mild soap-free detergent or a detergent compatible with wool), and rub very gently with your finger to try to remove it. Rinse with clean water, without rubbing. -Wring out the bracelet by sandwiching it in a towel and pressing it gently, without wringing it. -Dry your bracelet flat. Other tips for looking after your bracelet -It's best not to shower with your bracelet on. The combination of hot water and rubbing will cause the wool to felt. Soaps such as shower gel could also damage it. -As with other items of jewellery, avoid pulling hard on it to avoid breaking the fasteners or deforming it.

It was a surprise that I had in store for you this spring, the arrival of a new colour in the Azun range of natural wool yarns from the Pyrenees, made in France! It's a warm, soft colour that I wanted to celebrate the softness of spring. So I'm delighted to introduce you to Quebracho Pink! Like the other colours in the range, it has been created using vegetable dyeing in the Myrobolan workshop, using traditional methods. It's a soft, luminous pink that differs from Acacia Pink in that it has a hint of yellow-orange. A warm colour that can be knitted on its own or combined with the other colours in the range! For example, this pink goes very well with the warmth of Rhubarb Yellow, or in a subtle gradient with Acacia Pink and Natural Ecru. This colour will also work wonderfully well alongside Bleu de Campêche, a deep, intense midnight blue with a violet tinge. I hope you like this new quebracho pink colour and that it inspires you for your future projects :) See you soon! Fanny Founder of Knitty and Woolly